Russian Federation
The article provides a film analysis of the movie "The Cranes Are Flying", created in 1957 by a team of Soviet creative figures – director Mikhail Kalatozov, cameraman Sergei Urusevsky, screenwriter Viktor Rozov, composer Moisei Weinberg. The methodology of the study was the philosophical and art history analysis of works of art by V.I. Zhukovsky and N.P. Koptseva and the method of system film analysis by G. Korte. According to the results of the study, artistic differences were revealed between the text of the play by V. Rozov "Forever Alive", which is the basis of the script, and the plot of the film "The Cranes Are Flying"; analyzed the key characters of the film and the features of their representation on the screen with the help of visual images; the aesthetic features of the key scenes of the film are identified and analyzed, and it is also established that the film is a masterpiece of the world cinema art, as it contains the transition to the symbolic status of an artistic image.
“The cranes are flying”, soviet cinema, cinema study, Mikhail Kalatozov
1. Baryshnikov, I. S., Dukhanin, D. A., Pashkov, V. A. (2022) Cranes are flying. Memorable dates of history: a collection of scientific articles by students. Moscow : Knigodel, 124-128.
2. Bezenkova, M. V. (2019) The evolution of the hero's image in the cinema of the "Sixties", or "Cranes are flying" to the «Ilyich Outpost». Burganov's house. The space of culture, 2, 141-158.
3. Zhukovsky, V. I. (2011) Theory of Fine Art. St. Petersburg: Aleteya, 496.
4. Zhukovsky, V. I. Koptseva, N. P. (2004) Propositions of the theory of fine art: a textbook. Krasnoyarsk: Krasnoyarsk State University, 256.
5. Zaitseva, L. A. (2012) The theme of war in the cinema of the second half of the 50s of the twentieth century. Vestnik VGIK, 4, 2-3, 20-30.
6. Zamaraeva, Yu. S. (2021) The concepts of «nation», «nationalism», «national state» as elements of the modern project. Social Anthropology of Siberia, 2, 2, 36-67.
7. Zamaraeva, Yu. S. (2020) Formation of the concept of «complex identity» in modern humanities. Siberian Anthropological Journal, 4, 2, 89-102.
8. Zamaraeva, Yu. S., Seredkina, N. N., Shpak, A. A., Pimenova, N. N. (2022) Media image of the territories of the Russian Empire in the journal «Nature and People» (1913 edition). Bygone years, 17, 1010-1021.
9. Kistova, A.V. (2022) Culture as a factor of social dynamics. Northern archives and expeditions, 4, 2, 100-111.
10. Kistova, A.V. (2020) Synthetic model of culture and cultural practices. Siberian Anthropological Journal, 4, 2, 111-121.
11. Kistova, A.V. Tamarovskaya, A. N. (2014) Works of architecture and cultural identity. Modern problems of science and education, 4, 597.
12. Kolesnik, M. A. (2014) Specifics of understanding the word «Homeland» by students of the Siberian Federal University. Modern problems of science and education, 2, 648.
13. Koptseva, N. P., Avdeeva, Yu. N., Krupkina, K. A. et Al. (2020) Methods of studying culture: a textbook for students. Krasnoyarsk: Siberian Federal University, 182.
14. Koptseva, N. P., Bralkova, A.V., Gerasimova, A. A. et Al. (2013) Theory and practice of applied cultural research: a regional project. St. Petersburg: Eidos, 224.
15. Koptseva, N. P., Bralkova, A.V., Gerasimova, A. A. et Al. (2015) New art criticism on the banks of the Yenisei. Krasnoyarsk: Siberian Federal University, 340.
16. Koptseva, N. P. Libakova, N. M. (2012) Formation of Russian cultural identity in the educational activity of a modern university through the study of the history of Russian fine art. Pedagogy of art, 4, 7-29.
17. Koptseva, N. P. Menzhurenko, Yu. N., Degtyarenko, K. A. (2022) Cultural memory and ethnic identification. Siberian Federal University, Humanities Institute. Krasnoyarsk: Siberian Federal University, 250.
18. Korte, G. (2018) Introduction to systematic film analysis with research examples based on the films «Zabriskie Point» (Antonioni, 1969), «Misery» (Rainer, 1990), «Schindler's List» (Spielberg, 1993), «Romeo and Juliet» (Luhrmann, 1996). Moscow: Publishing House of the Higher School of Economics, 360.
19. Kremlev, G. D. (1964) Mikhail Kalatozov. Moscow: Iskusstvo, 244.
20. Krystul, B. I. (2022) The Long Road to Cannes (Mikhail Kalatozov). Moscow: Kraft, 463.
21. Nemchenko, L. M. (2015) «Soviet cinema in France: from "Polikushka» to «Cranes are flying». Aesthetics, politics, institutions (what and where the French could watch in the 20-50's of the XX century). Politicization of the field of art: historical versions, theoretical approaches, aesthetic specificity: collection of scientific articles edited by T.A. Kruglova. Yekaterinburg: Humanities University, 159-172.
22. Pimenova, N.N. (2006) Psychology of artistic creativity as a system of knowledge about the laws of the development of the soul through artistic creativity: development of a training course. Bulletin of the Krasnoyarsk State University. Humanities, 10, 86-100.
23. Rozov, V. S. Freilikh, S. I. (1972) «Cranes are flying» from the series «Masterpieces of Soviet cinema». Moscow: Iskusstvo, 148.
24. Semenov, M. (2019) The film from which it all began: «Cranes are flying». The Art of Cinema. [Electronic resource] URL: https://kinoart.ru/texts/film-s-kotorogo-vse-nachalos-fenomen-letyat-zhuravli.
25. Seredkina, N. N. (2022) Anthropological and ethnological approaches to the study of the All-Russian civil identity. Siberian Anthropological Journal, 6, 1, 111-121.
26. Seredkina, N. N. (2022) All-Russian civil identity as a factor of integration of society. Siberian Anthropological Journal, 6, 2, 125-135.
27. Seredkina, N. N., Shpak, A. A., Pimenova, N. N., Zamaraeva, Yu. S.et al. (2022) The image of the Siberian territories of the Russian Empire in the journal «Siberian Observer» (1901-1906 editions). Bygone years, 17 (3), 1385-1396.
28. Sertakova, E. A. (2021) Social systems, models, transformations: analysis of theoretical approaches. Social anthropology of Siberia, 2, 2, 18-35.
29. Sertakova, E. A. Khusnullina, R. E. (2022) The problem of identity in modern Chinese national Cinema (Mainland China, Hong Kong, Taiwan). Research Journal of the Siberian State Institute of Arts named after Dmitry Hvorostovsky, 1, 95-102.
30. Kondi, N. (2009) Veronica merges: Rapeseed and medium specificity in «Cranes are Flying». Studies in Russian and Soviet Cinema, 3(2), 173-183. doi:https://doi.org/10.1386/srsc.3.2.173_1.
31. Wall J. (2003). Cranes are flying. London : Bloomsbury Publishing, 112.
