This study focuses on the university architecture in Northeast China during the period from 1949 to 1970, delving into the design principles and aesthetic characteristics shaped under the influence of Stalinist classical architectural style. The research emphasizes the analysis of main buildings, examining their axial layouts, symmetrical structures, and monumental volumes, thereby revealing the aesthetic pursuit of spatial order and a sense of authority in university architecture during this era. Additionally, it reviews cases of integrating traditional Chinese architectural elements into Stalinist classical designs, summarizing their uniqueness and innovativeness. This study offers valuable theoretical support and aesthetic references for contemporary campus planning and design practices.
1949–1970 years, Stalinist classicism, university architecture, architectural principles, aesthetic features, Localization and integration
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