Participatory practices of contemporary art (based on the analysis of works of art by Chiharu Shiota)

Sneghana Sirenko; Julia Zamaraeva

doi:10.31804/2782-540X-2023-2-2-56-90

UDC

CSCSTI

18.00

Russian Classification of Professions by Education

50.00.00

Russian Trade and Bibliographic Classification

Russian Library and Bibliographic Classification

BISAC

ART

VAK Russia

PARTICIPATORY PRACTICES OF CONTEMPORARY ART (BASED ON THE ANALYSIS OF WORKS OF ART BY CHIHARU SHIOTA) Participatory practices of contemporary art (based on the analysis of works of art by Chiharu Shiota)

АА Аа

Published in Asia, America and Africa history and modernity · Pages 56–90 · Rubric: Japanese culture

DOI: https://doi.org/10.31804/2782-540X-2023-2-2-56-90

Received: 01.05.2023 Accepted: 06.06.2023 Published: 06.06.2023

Authors

Sneghana Sirenko

Julia Zamaraeva

Sneghana Sirenko

Julia Zamaraeva

D.A. Hvorostovsky Siberian State Institute of Arts The First Vice-rector · Russian Federation · Krasnoyarsk

ABSTRACT

This article reveals the conceptual content of the concept of “participatory practices” and presents the results of an analysis of selected works by contemporary Japanese artist Chiharu Shiota, known for creating large-scale installations and performances, as well as art paintings and sculptures. The main material of the artist is woolen threads, the main principle of the construction of the work is modular. The artist is often compared to a spider – from threads of black, white and red colors she spins huge labyrinth webs, into which from one to many homogeneous objects are often woven: chairs, dresses, shoes, keys, pieces of paper and so on. The authors of the article proposed a classification of works, on the basis of which a rather voluminous work of the artist is structured: by the principle of using threads, by the color of the threads, by the type of objects used, by topic, by the way the viewer interacts with the work.

KEYWORDS

participatory practices, installation, contemporary Japanese art, Chiharu Shiota.

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Sirenko S. O., Zamaraeva J. S. Participatory practices of contemporary art (based on the analysis of works of art by Chiharu Shiota) // Asia, America and Africa history and modernity. 2023. no. 2. pp. 56-90. DOI: https://doi.org/10.31804/2782-540X-2023-2-2-56-90. (Date of access 07.09.2026).

MLA

Sneghana Sirenko, Zamaraeva J. S.. "Participatory practices of contemporary art (based on the analysis of works of art by Chiharu Shiota)." Asia, America and Africa history and modernity 2.2 (2023): 56-90. DOI: https://doi.org/10.31804/2782-540X-2023-2-2-56-90.

APA

Sirenko S. O., Zamaraeva J. S. (2023). Participatory practices of contemporary art (based on the analysis of works of art by Chiharu Shiota). Asia, America and Africa history and modernity, 2(2), 56-90. https://doi.org/10.31804/2782-540X-2023-2-2-56-90

Chicago

Sneghana Sirenko, Zamaraeva J. S.. "Participatory practices of contemporary art (based on the analysis of works of art by Chiharu Shiota)." Asia, America and Africa history and modernity 2, no. 2 (2023): 56-90. https://doi.org/10.31804/2782-540X-2023-2-2-56-90.

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{{cite journal | author = Sirenko S. O., Zamaraeva J. S. | title = Participatory practices of contemporary art (based on the analysis of works of art by Chiharu Shiota) | journal = Asia, America and Africa history and modernity | year = 2023 | volume = 2 | issue = 2 | pages = 56-90 | doi = 10.31804/2782-540X-2023-2-2-56-90 }}

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PARTICIPATORY PRACTICES OF CONTEMPORARY ART (BASED ON THE ANALYSIS OF WORKS OF ART BY CHIHARU SHIOTA) Participatory practices of contemporary art (based on the analysis of works of art by Chiharu Shiota)

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