The article will consider the problem of the concept of physicality in the "spirit of the times". The time that will be discussed is commonly called modernity and post-modernity, a prominent representative of which is the artist Francis Bacon. Such a traditional problem of philosophical thought as the correlation of the human soul and body, in the interpretation of Francis Bacon, acquires a completely new discourse. Francis Bacon is an artist who thinks in philosophical categories in line with the problems of human existence as such. Human existence should arrive in an equilibrium correlation of categories: space, time and life, death. The narrative of the works of F. Bacon is the irony of human existence that breaks through pain and screaming. Through the observation of material signs - corporeality and their essence – the spiritual, Francis Bacon proposes to understand the question of the correlation of the corporeal and the spiritual, a discourse in the spirit of postmodernism. By means of the analysis of the painting "Portrait of Pope Innocent X" (etude No. 7), the concept of the corporeal as a structure is revealed, which should be perceived and understood in the context of the totality: the body as an individual, the body as an artificial construct and the body as a socio-cultural construct. Physicality as the sum of the three toposes of the body. The rejection of a stable, uniform understanding of the corporeal and the perception of its image as a stream that cannot be fixed in principle, allows us to identify the ideological program of the representative in its new senses. The ceremonial portrait of Pope Innocent X in the interpretation of Diego Velasquez is the essence of the bodily category, the portrait of Francis Bacon is the splitting of the bodily and the essence of the spiritual category. This is a discourse about a dichotomy, the basis of which is the splitting of subjectivity - the separation of the symbolic plane of corporeality from physical reality.
Francis Bacon, postmodernism, expressionism, philosophical and art analysis, study No. 7, Portrait of Pope Innocent X.
1. Avdeeva, Yu. N. (2015). Theoretical and methodological foundations of socio-cultural design. Sociodynamics, 10, 138-149. doihttps://doi.org/10.7256/2409-7144.2015.10.16429. - EDN SHTLAS.
2. Degtyarenko, K. A., Pchelkina, D. S. (2022). Review of the book by Meredith Broussard "Artificial Intelligence: the Limits of the possible". Sociology of Artificial Intelligence, 3 (1), 33-41. doihttps://doi.org/10.31804/2712-939X-2022-3-1-33-41. EDN PBQAWV.
3. Dilez, J. (2011). Francis Bacon: The logic of sensation. Translated from the French by A.V. Shestakov. - St. Petersburg, 176.
4. Verizhnikova, T. F. (2009). English painting. Aurora Publishing House. - St. Petersburg, 264.
5. Dubin, B. (2005). Space, in other words. French poets of the XX century about the image in art. I. Limbach Publishing House. - St. Petersburg, 303.
6. Ermakov, T. K., Omelik, A. A. (2022). Analysis of some trends in the history of generative art. Sociology of Artificial Intelligence, 3 (4), 61-81. doihttps://doi.org/10.31804/2712-939X-2022-3-4-61-81. EDN JYTAQX.
7. Ermakov, T. K. (2021) Perception of symbols of modern digital art by young people (on the example of works of the pixel art direction). Digitalization, 2 (1), 7-14. doihttps://doi.org/10.37993/2712-8733-2021-2-1-7-14. EDN WCWOQC.
8. Ermakov, T. K., Temnikova, O. A., Shishkova, E. E. (2021). Aesthetic possibilities of neural networks in modern art Sociology of Artificial Intelligence, 2 (4), 14-29. doihttps://doi.org/10.31804/2712-939X-2021-2-4-14-29. EDN: YCAWHO.
9. Zhukovsky, V. I., Koptseva N. P. (2004). The theory of visual distortion: the teaching position. - Krasnoyarsk: Krasnoyarsk University, 265.
10. Leshchinskaya, N. M., Sitnikova, A. A., Sertakova, E. A., Koptseva, N. P. (2022). The magazine «Architect» as a source on the history of Russian Art Nouveau of the late XIX- early XX centuries. Bygone Years, 17 (3), 1237-1249. doihttps://doi.org/10.13187/bg.2022.3.1237. EDN BNRZCL.
11. Ilyin, A. N. (2010). The subject in the space of the philosophy of postmodernism. Information humanitarian portal Knowledge. Understanding. Ability. - Moscow, 1, 1-4.
12. Kistova, A. V. (2020). Culture as a factor of social dynamics. Northern Archives and Expeditions, 4(2), 100-111. doi:https://doi.org/10.31806/2542-1158-2020-4-2-100-111. - EDN SABKQD.
13. Kistova, A.V. (2020). Synthetic model of culture and cultural practices. Siberian Anthropological Journal, 4 (2), 111-121. doi:https://doi.org/10.31804/2542-1816-2020-4-2-109-119. EDN KLMBSN.
14. Kistova, A. V. (2013). The formation of the philosophy of culture as a methodological basis of humanitarian knowledge. Contemporary Problems of Science and Education, 1, 401. EDN PWBCRR.
15. Kolesnik, M. A. (2014). Sociological studies of imagination in the 30s - 80s of the twentieth century. NB: Problems of Society and Politics, 11, 45-61. EDN SXREPR.
16. Kolesnik, M. A. (2016). Imaginary World as A Subject of «Eranos» Intellectual Group Research in the 30 - 80s of the XX Century. Journal of Siberian Federal University. Humanities and Social Sciences, 9 (1), 79-90. doihttps://doi.org/10.17516/1997-1370-2016-9-1-79-90. EDN VIYZSD.
17. Kolesnik, M. A. (2018). Philosophical aspects of the concept of "cultural identity". Siberian Anthropological Journal, 2 (2), 22-33.EDN XVLYHZ.
18. Koptseva, N. P. Pimenova, N. N. (2020). Cultural transformations: possibilities of study. Siberian Anthropological Journal, 2020, 4 (3), 36-44. doi:https://doi.org/10.31804/2542-1816-2020-4-3-36-44. EDN ENUIWR.
19. Kotelevskaya, V. V. (2016). "Inner man" of modernism: visualization languages by Thomas Bernhard and Francis Bacon. Practices and Interpretations. - Rostov-on-Don, 1, 15-43.
20. Krivtsun, O. A. (2020). Anthropological interpretation of non-classical art. Sphere of Culture. - Samara, 1, 13-29.
21. Ku, K. (2019). Decay. The essence of modern art. Translated from English by G. A. Dianova. Directmedia Publishing. - Moscow, Berlin, 131.
22. Leiris, M. (2005). Francis Bacon's Big Game. Space in other words: French poets of the twentieth century about the image in art. I. Limbach Publishing House. - St. Petersburg, 115-123.
23. Litell, J. (2013). Triptych. Three studies about Francis Bacon. Translated from English by A. Aslanyan. Ad Marginem Press. - Moscow, 144.
24. Koptseva, N. P., Avdeeva, Yu. N., Krupkina, K. A. (2020). Methods of studying culture / N. P. Koptseva, Yu. N. Avdeeva, K. A. Krupkina [et al.]; Siberian Federal University, Humanities Institute. Krasnoyarsk: Siberian Federal University, 184. ISBN 978-5-7638-4350-7. EDN GEDBOV.
25. Koptseva, N. P., Bralkova, A.V., Gerasimova, A. A. et Al. (2015). New art criticism on the banks of the Yenisei. Krasnoyarsk: Siberian Federal University, 340. ISBN 978-5-7638-2537-4. EDN VIQKIB
26. Sertakova, E. A. Leshchinskaia, N. M., Kolesnik, M. A. (2019). Three Gustave Moreau Pictures: Myth, Religion, Creativity. Journal of Siberian Federal University. Humanities and Social Sciences, 12 (7), 1316-1334. doihttps://doi.org/10.17516/1997-1370-0447. EDN WANLUQ.
27. Koptseva N. P., Karlova O. A., Ma L., (2018). New Siberian Sinology. Basic concepts of Chinese culture; Siberian Federal University, Humanities Institute. Krasnoyarsk: Siberian Federal University, 263. (The way to the future: Siberia through the eyes of scientists). ISBN 978-5-7638-3475-8. EDN XSSITJ.
28. Ortega y Gasset, H. (1991). Introduction to Velasquez. Translated by E. M. Lysenko, 588.
29. Kolesnik, M. A., Sitnikova, A. A., Sertakova, E. A., et al. (2022). Features of the development of participatory art in the city of Krasnoyarsk (Russian Federation) at the beginning of the XXI century. Journal of the Siberian Federal University. Series: Humanities, 15 (6), 826-839. doihttps://doi.org/10.17516/1997-1370-0888. EDN WTCERE.
30. Pashova, E. V. (2020). «Supergods» how the creators of comics comprehend the archetypes of superheroes. Northern Archives and Expeditions, 4 (3), 100-110. doihttps://doi.org/10.31806/2542-1158-2020-4-3-100-110. EDN LFNHAG.
31. Pashova, E. V. (2020). Demonstration of social models through the path of the archetypal hero (based on the analysis of full-length animated films "Cold Heart" and "Cold Heart II"). Siberian Anthropological Journal, 4 (3), 106-117. doihttps://doi.org/10.31804/2542-1816-2020-4-3-106-117. EDN MFTERO.
32. Koptseva N. P., Degtyarenko K. A., Menzhurenko Yu. N., Pchelkina D. S. (2022). Periodicals of the Russian Empire beginning. XIX century as a source on the history of Siberian art. Bygone Years, 17(4), 1693-1703. doihttps://doi.org/10.13187/bg.2022.4.1693. EDN OSWHXE.
33. Radina, N. K., Balakina Yu. V. (2021). The challenge of education in a pandemic: a review of research. Questions of education. - Nizhny Novgorod, 1, 178-194.
34. Reznikova, K. V., Sertakova, E. A., Sitnikova, A. A. (2022). Artificial intelligence in American cinema of the late XX - early XXI centuries. Sociology of artificial intelligence, 3 (1), 42-49. doihttps://doi.org/10.31804/2712-939X-2022-3-1-42-49. EDN HZKFIC.
35. Reznikova, K. V., Sitnikova, A. A., Zamaraeva Yu. S. (2019). Philosophy of art in the work of Egon Schiele. Siberian Anthropological Journal, 3, 4, 38-48. DOIhttps://doi.org/10.31804/2542-1816-2019-3-4-38-48. EDN TYAFFZ.
36. Reutov, A. S. (2018). Perception of the visible: the ratio of optical and tactile in the framework of visual research. Historical, philosophical, political and legal sciences, cultural studies and art criticism. Questions of theory and practice. - Nizhny Novgorod, 2(88), 85-89.
37. Rykov, A.V. (2003). David Hockney and the problems of modern English figurative painting. Dissertation of the Candidate of Art Criticism. - St. Petersburg, 275.
38. Semenova, V. I., Chernieva Z. L. (2018). Portrait in the art of the late XX Century: images, forms, directions (on the example of the work of Tyumen artists). Bulletin of Culture and Arts. - Tyumen, 4(56), 104-109.
39. Seredkina, N. N., Kistova, A.V., Pimenova, N. N. (2019) Three paintings by Edvard Munch: philosophical and art criticism analysis of the cycle «Frieze of Life». Siberian Anthropological Journal, 3 (4), 49-64. doi:https://doi.org/10.31804/2542-1816-2019-3-4-49-64. - EDN WSEXKK.
40. Sertakova, E. A. Kolesnik, M. A., Leshchinskaya, N. M. (2022). «Heroic» and «tragic» in the painting of neoclassicism of the XVIII century (on the example of the analysis of the works of J.-L. David). Journal of the Siberian Federal University. Series: Humanities, 15 (6), 867-878. doihttps://doi.org/10.17516/1997-1370-0893. EDN ZTNTGG.
41. Sertakova, E. A. Sitnikova, A. A., Kolesnik, M. A. (2022). Computer art of the 1960s-1980s. Sociology of Artificial Intelligence, 3 (3), 69-90. doihttps://doi.org/10.31804/2712-939X-2022-3-3-69-90. EDN JUGALR.
42. Sertakova, E. A., Plisko, T. I. (2021). The mechanism of social destruction in American cinema of the 1970s (based on the analysis of F.F. Coppola's films). ARTE: Electronic Research Journal of the Siberian State Institute of Arts named after Dmitry Hvorostovsky, 4, 58-65. EDN LLKGNI.
43. Sitnikova, A. A., Li, S. (2022). The image of China in the work of Krasnoyarsk artist Sergei Forostovsky. Northern archives and expeditions, 6 (4), 87-98. doi:https://doi.org/10.31806/2542-1158-2022-6-4-87-98. EDN OOZXNN.
44. Sitnikova, A. A., Li, S. (2020). Three paintings by Chinese contemporary artists of the Hulunbuir Urban District (Inner Mongolia Autonomous Region). Siberian Anthropological Journal, 4 (3), 118-129. doihttps://doi.org/10.31804/2542-1816-2020-4-3-118-129. EDN ZGDPUB.
45. Sitnikova, A. A., Zhigaev, A. A., Fedorov, A. A., et. al. (2022). Creativity of the Krasnoyarsk artist Vasily Slonov. Journal of the Siberian Federal University. Series: Humanities, 15 (6), 879-893. doi:https://doi.org/10.17516/1997-1370-0894. EDN ILOJUX.
46. Koptseva, N. P., Semenova, A. A., Reznikova, K. V. (2013). Theory and practice of applied cultural research: a regional project. St. Petersburg: Eidos, 2013, 224. ISBN 978-5-904745-22-6. EDN SPRIDX.
47. Tukaeva, R. A. (2021). Deformed reality in the work of the British artist F. Bacon. Creativity as a national element: the role of individuality in the creative context of the XXI century. Collection of articles of the sixth International Scientific Conference. - St. Petersburg, 214-225.
48. Usovskaya, E. A. (2021). Postmodern interpretation of Francis Bacon's physicality. Art and Culture. - Minsk, 1(41), 65-69.
49. Francis, B. (1977). Essay in two volumes. 2nd ispr. and additional ed. Vol. 1. Translated by Ya. A. Fedorov. Publishing house "Thought". - Moscow, 567.
50. Shestakov, A.V. (2013). Francis Bacon: painting, sensation, figure. Bulletin of the St. Petersburg State University of Technology and Design. - St. Petersburg, 1, 3-9.
51. Shpak, A. A. (2020). Conceptual and methodological foundations of the study of complex social identities. Social Anthropology of Siberia, 1 (1), 48-60. EDN LJMMEJ.
52. Shpak, A. A. (2020). Scientific approaches to the study of complex social identity. Siberian Anthropological Journal, 4 (2), 191-203. doi:https://doi.org/10.31804/2542-1816-2020-4-2-189-201. EDN TZWCDJ.
53. Shpak, A. A., Zamaraeva, Y. S., Koptseva, N. P. (2021). Complex forms of identity: problems and research. Krasnoyarsk: Siberian Federal University, 2021, 248. ISBN 978-5-7638-4503-7. EDN RSHYFZ.
54. Shpak B. A., Degtyarenko K. A., Shpak A. A. (2021). Methods of machine learning in the humanities. Sociology of Artificial Intelligence, 2 (3), 21-24. doihttps://doi.org/10.31804/2687-0606-2021-2-3-21-24. EDN GJIBTC.
55. Filko A. I., Avdeeva Yu. N., Kistova A.V. (2021). Ethnocultural dynamics of the Krasnoyarsk Territory in the works of Krasnoyarsk artists. Journal of the Siberian Federal University. Series: Humanities, 14 (6), 873-889. doihttps://doi.org/10.17516/1997-1370-0767. EDN GJDBRU.
56. Avdeeva, Yu. N., Degtyarenko, K. A., Kolesnik, M. A. (2020). Architectural Space in the Paintings by Vincent van Gogh. Journal of Siberian Federal University. Humanities and Social Sciences, 13 (6), 838-859. doihttps://doi.org/10.17516/1997-1370-0610. EDN EWJKBQ.
57. Kolesnik, M. A. (2016). Imaginary World as A Subject of «Eranos» Intellectual Group Research in the 30 - 80s of the XX Century. Journal of Siberian Federal University. Humanities and Social Sciences, 9 (1), 79-90. doihttps://doi.org/10.17516/1997-1370-2016-9-1-79-90. EDN VIYZSD.
58. Seredkina, N. N. Kistova, A. V., Pimenova, N. N. (2019). «The Frieze of Life» by Edvard Munch: Philosophical and Art Analysis. Journal of Siberian Federal University. Humanities and Social Sciences, 12 (7), 1295-1315. doihttps://doi.org/10.17516/1997-1370-0446. EDN AQYGSD.
59. Shpak, A. A. Pchelkina, D. S. (2020). Methodology for the Study of Complex Identity. Journal of Siberian Federal University. Humanities and Social Sciences, 2013, 5, 752-761. doi:https://doi.org/10.17516/1997-1370-0604. EDN KTREVV.
