Russian Federation
The article presents a general description of such a phenomenon in the Soviet fine arts as «severe style», explains its naming through a description of the history of its appearance in art criticism articles in relation to the works of some Soviet artists, among which are the Smolin brothers, Viktor Popkov, Geliy Korzhev, Pavel Nikonov , Nikolai Andronov. The paintings of these authors were selected as representatives of the «severe style» in order to conduct a philosophical and art history analysis, the results of which made it possible to draw conclusions about the essential characteristics of artistic images within this trend in art.
Alexander and Pyotr Smolin, Viktor Popkov, Geliy Korzhev, Nikolai Andronov, Pavel Nikonov, Pyotr Ossovsky, Soviet painting, Soviet art of the 1990s, socialist realism, «severe style»
1. Alekseeva, T. P., Vinitskaya, N.V. (2017). Images of the people and the fate of individuality in the painting of a severe style. Cultural heritage of Siberia, 3 (21), 40-45.
2. Andreeva E. (2019). Work and smoke break in the art of the USSR in the 1940s-early 1960s. Philosophical and literary journal Logos, 1 (128), 233-242. (in Russian).
3. Burganova, M. A. (2008). Severe style. Direct speech. House of Burganov. The space of culture, 1, 8-33.
4. Gauser I. V. (2020) Reception of images of Spanish painting in the works of artists of the «severe style» E. E. Moiseenko and T. T. Salakhova. The world of science. Sociology, philology, cultural studies, 11(3). URL: https://sfk-mn.ru/PDF/03KLSK320.pdf
5. Kamensky, A. A. (1968). The reality of metaphor. Creation, 8, 13-15.
6. Karpova, K. V. (2014). Religious and philosophical problems in the works of artists of the «severe style». SEARCH: Politics. Social science. Art. Sociology. Culture, 1, 36-42.
7. Karpova, K. V. (2015). Severe style. The fate of the direction: dis. Mosk. state artistic-industrial un-t im. SG Stroganova.
8. Kostyukova U. S., Akoeva N. B. (2021). The Great Patriotic War in the work of artists of a severe style. Cultural life of the South of Russia, 1 (80), 104-109.
9. Kozorezenko, P. P., Orlov, I. I. (2020). The problem of the historiography of Soviet painting of the «severe style». International Journal of Experimental Education, 2, 15-19.
10. Kruzhkova T. S. (2015) Painting of the "harsh style" and Soviet cinematography of the turn of the 1950s and 1960s. Stylistic and imaginative solution of works (on the example of the themes of "contemporary" and "man of labor"). Tretyakov readings, 370-384.
11. Ossovskaya, V.L. (2014). «Severe style» in Soviet painting of the 60s (on the question of the origin of the term). Art of Eastern Europe, 2, 455-459.
12. Zhukovsky, V. I. (2011). Theory of fine arts. St. Petersburg: Aleteyya, 495.
13. Zhukovsky, V. I., Koptseva N. P. (2004). Propositions of the theory of fine arts. Krasnoyarsk: KGU, 265.
