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 <front>
  <journal-meta>
   <journal-id journal-id-type="publisher-id">Asia, America and Africa history and modernity</journal-id>
   <journal-title-group>
    <journal-title xml:lang="en">Asia, America and Africa history and modernity</journal-title>
    <trans-title-group xml:lang="ru">
     <trans-title>Азия, Америка и Африка история и современность</trans-title>
    </trans-title-group>
   </journal-title-group>
   <issn publication-format="online">2782-540X</issn>
  </journal-meta>
  <article-meta>
   <article-id pub-id-type="publisher-id">70193</article-id>
   <article-id pub-id-type="doi">10.31804/2782-540X-2023-2-3-53-61</article-id>
   <article-categories>
    <subj-group subj-group-type="toc-heading" xml:lang="ru">
     <subject>Культурные исследования</subject>
    </subj-group>
    <subj-group subj-group-type="toc-heading" xml:lang="en">
     <subject>Cultural studies</subject>
    </subj-group>
    <subj-group>
     <subject>Культурные исследования</subject>
    </subj-group>
   </article-categories>
   <title-group>
    <article-title xml:lang="en">POSTMODERNISM IN SATOSHI KON'S WORK (ON THE EXAMPLE OF THE ANIMATED FILM &quot;PAPRIKA&quot;, 2006)</article-title>
    <trans-title-group xml:lang="ru">
     <trans-title>ПОСТМОДЕРНИЗМ В ТВОРЧЕСТВЕ САТОСИ КОНА (НА ПРИМЕРЕ АНИМАЦИОННОГО ФИЛЬМА «ПАПРИКА», 2006)</trans-title>
    </trans-title-group>
   </title-group>
   <contrib-group content-type="authors">
    <contrib contrib-type="author">
     <name-alternatives>
      <name xml:lang="ru">
       <surname>Юферова</surname>
       <given-names>Софья Ивановна</given-names>
      </name>
      <name xml:lang="en">
       <surname>Yuferova</surname>
       <given-names>Sof'ya Ivanovna</given-names>
      </name>
     </name-alternatives>
     <xref ref-type="aff" rid="aff-1"/>
    </contrib>
   </contrib-group>
   <aff-alternatives id="aff-1">
    <aff>
     <institution xml:lang="ru">Сибирский федеральный университет</institution>
     <city>Красноярск</city>
     <country>Россия</country>
    </aff>
    <aff>
     <institution xml:lang="en">Siberian Federal University</institution>
     <city>Krasnoyarsk</city>
     <country>Russian Federation</country>
    </aff>
   </aff-alternatives>
   <pub-date publication-format="print" date-type="pub" iso-8601-date="2023-09-19T11:59:05+03:00">
    <day>19</day>
    <month>09</month>
    <year>2023</year>
   </pub-date>
   <pub-date publication-format="electronic" date-type="pub" iso-8601-date="2023-09-19T11:59:05+03:00">
    <day>19</day>
    <month>09</month>
    <year>2023</year>
   </pub-date>
   <volume>2</volume>
   <issue>3</issue>
   <fpage>53</fpage>
   <lpage>61</lpage>
   <history>
    <date date-type="received" iso-8601-date="2023-08-18T00:00:00+03:00">
     <day>18</day>
     <month>08</month>
     <year>2023</year>
    </date>
    <date date-type="accepted" iso-8601-date="2023-09-04T00:00:00+03:00">
     <day>04</day>
     <month>09</month>
     <year>2023</year>
    </date>
   </history>
   <self-uri xlink:href="https://asiaetother-journal.ru/en/nauka/article/70193/view">https://asiaetother-journal.ru/en/nauka/article/70193/view</self-uri>
   <abstract xml:lang="ru">
    <p>Данная статья посвящена изучению реализации принципов постмодернизма в творчестве японского аниматора Сатоси Кона на примере его последней работы «Паприка». В статье представлен аналитический обзор научной литературы, относящейся к выбранной теме. В ходе исследования был проведен анализ постмодернистских техник, используемых Сатоси Коном в его анимационном фильме, а также анализ референсов, отсылок и цитат, обилие которых так же позволяет отнести ленту «Паприка» к примерам постмодернистской анимации.</p>
   </abstract>
   <trans-abstract xml:lang="en">
    <p>This article is devoted to the study of the implementation of the principles of postmodernism in the work of the Japanese animator Satoshi Kon on the example of his latest work &quot;Paprika&quot;. The article presents an analytical review of the scientific literature related to the chosen topic. The study analyzed the postmodern techniques used by Satoshi Kon in his animated film, as well as the analysis of references and quotations, the abundance of which also allows us to attribute &quot;Paprika&quot; to examples of postmodern animation.</p>
   </trans-abstract>
   <kwd-group xml:lang="ru">
    <kwd>Постмодернизм</kwd>
    <kwd>Сатоси Кон</kwd>
    <kwd>«Паприка»</kwd>
    <kwd>интертекстуальность</kwd>
    <kwd>метаповествование</kwd>
    <kwd>анимационное искусство</kwd>
   </kwd-group>
   <kwd-group xml:lang="en">
    <kwd>Postmodernism</kwd>
    <kwd>Satoshi Kon</kwd>
    <kwd>&quot;Paprika&quot;</kwd>
    <kwd>intertextuality</kwd>
    <kwd>meta-narrative</kwd>
    <kwd>animation art</kwd>
   </kwd-group>
  </article-meta>
 </front>
 <body>
  <p></p>
 </body>
 <back>
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</article>
