{"leader":"00827naa#a2200181#i#450#","fields":[{"001":"EN\\\\bibl\\54952"},{"005":"20241105121945.2"},{"011":{"ind1":"#","ind2":"#","subfields":[{"a":"2782-4926"}]}},{"100":{"ind1":"#","ind2":"#","subfields":[{"a":"20221109b2022####ek#y0engy0150####ca"}]}},{"102":{"ind1":"#","ind2":"#","subfields":[{"a":"RU"}]}},{"200":{"ind1":"1","ind2":"#","subfields":[{"a":"OBJECT-LANGUAGE OF ICONOGRAPHY IN THE WORKS OF CINEMA: COMPARATIVE ANALYSIS OF THE ICON \u00c2\u00abTHE ALMIGHTY SAVED\u00c2\u00bb BY A. RUBLEV AND THE MOVIE \u00c2\u00abANDREY RUBLEV\u00c2\u00bb BY A. TARKOVSKY"},{"e":"Journal article"}]}},{"210":{"ind1":"1","ind2":"#","subfields":[{"a":"Krasnoyarsk"},{"c":"Krasnoyarsk regional public organization Commonwealth of Enlighteners of Krasnoyarsk"},{"d":"2022"}]}},{"215":{"ind1":"#","ind2":"#","subfields":[{"a":"11 \u00d1\u0081."}]}},{"608":{"ind1":"#","ind2":"#","subfields":[{"a":"Journal article"},{"2":"local"}]}},{"675":{"ind1":"#","ind2":"#","subfields":[{"a":"\u00d0\u0098\u00d1\u0081\u00d0\u00ba\u00d1\u0083\u00d1\u0081\u00d1\u0081\u00d1\u0082\u00d0\u00b2\u00d0\u00be \u00d0\u00ba\u00d0\u00b8\u00d0\u00bd\u00d0\u00be. \u00d0\u009a\u00d0\u00b8\u00d0\u00bd\u00d0\u00be\u00d1\u0084\u00d0\u00b8\u00d0\u00bb\u00d1\u008c\u00d0\u00bc\u00d1\u008b. \u00d0\u009a\u00d0\u00b8\u00d0\u00bd\u00d0\u00be\u00d0\u00bf\u00d1\u0080\u00d0\u00be\u00d0\u00b8\u00d0\u00b7\u00d0\u00b2\u00d0\u00be\u00d0\u00b4\u00d1\u0081\u00d1\u0082\u00d0\u00b2\u00d0\u00be.\u00d0\u009a\u00d0\u00b8\u00d0\u00bd\u00d0\u00be\u00d1\u0082\u00d0\u00b5\u00d0\u00b0\u00d1\u0082\u00d1\u0080\u00d1\u008b. 791.43\/.45"},{"z":""}]}},{"700":{"ind1":"#","ind2":"1","subfields":[{"a":"Tarasova"},{"g":"Maria Vladimirovna"}]}},{"700":{"ind1":"#","ind2":"1","subfields":[{"a":"Olkhina"},{"g":"Dana Vladimirovna"}]}},{"856":{"ind1":"4","ind2":"#","subfields":[{"a":"asiaetother-journal.ru"},{"u":""}]}}]}